After having visions of a member of her support group who killed herself, a woman who also suffers with chronic pain seeks out the widower of the suicide.

"Mom's Cake", the main axis is mom's family tables, where guests are of different ages, moods and beliefs, gather to come closer, to meet, to remember, to smile, but also to quarrel and to disagree.

〖Yellow Cake〗加拿大动画师NickCross历时三年创作。故事讲述了在黄色蛋糕的驱使下一个快乐烘培小镇如何被他们的领导人和贪婪的肥猫给摧毁。灵感来自 03年美国攻打伊拉克的时候他将铀粉比喻成黄色蛋糕。一个充满喜剧色彩的悲剧，片子的风格和音乐是否让你想起小时候看的迪士尼动画片

Two different, fashionable women are having lunch in a London restaurant. They seem to be doing this on a regular. They start talking about trainees and why women are more adept at doing their "profession" than men. This women versus men dialogue becomes our key dialogue for the short. The two women turn out to be part of a "spy" organization. While the two talk, a dashing male agent comes in the restaurant. He takes a seat by the bar. The two women explain who he is, a smug member of their opposition all-male program. Young trainees start the process of building a bomb that is being put in a birthday cake. Later, the waitress brings the birthday cake to the man with a candle on it. What happens next? Something sinister or is it just a training lesson?

With danger hot on his heels, erotic-cake baker Selwyn (Warren Fitzgerald) flees his abusive girlfriend and takes up with a punk band in this inspiring tale. Working as a roadie for No Use for a Name, Selwyn falls for a disabled cutie who persuades him to grab his mixer and compete against the "Master Baker of France." The Vandals bassist Joe Escalante directs this film featuring songs from Yellowcard, The Bronx, Jackson, Piebald and many more.

When a seemingly straight-forward drug deal goes awry, XXXX has to break his die-hard rules and turn up the heat, not only to outwit the old regime and come out on top, but to save his own skin...

Nate Shepherd, late 40's, and Jenny Sparks, early 30's, meet in a fancy New York eatery. Complete strangers who have had a rotten day, waiting for their better halves, they reveal to one another that they are going to meet new people tonight. They quickly realize they are waiting for each other. When Nate loses his girlfriend (after getting fired from his cushy job at an ad agency) and Jenny loses her boyfriend to a drug overdose, Nate's girlfriend suggests that they should move in together as friends to split the rent and ease each others pain. As their friendship grows into something more, their relationship becomes a loving but complicated experience.

Romance novelist Liam Bradley (Dylan Bruce) has already found massive success with three books written under the pen name Gabriel August, but he's mysteriously unknown to his legions of readers. With his first book written as a way to heal after a broken relationship, Liam has slowly become disheartened with writing strictly for romantic fantasy, something evident to a sweet, but honest, journalist who reviews books, Sophie Atkinson (Amy Acker), whom he meets by chance on a plane. The two begin a tentative relationship in Sophie’s home town of Portland, Oregon, where Liam has come to find inspiration for his newest entry. Liam’s agent puts him on the spot with a long-planned reveal of Gabriel August’s true identity, but Sophie doesn’t know of his public persona. The longer Liam avoids telling her the truth, the deeper a hole he digs for himself. Will their romance survive once his true identity comes to light?

Chloe Anderson, a beloved children’s book author, has always drawn inspiration from her cherished childhood memories. During her final book signing at the Noelleville bookstore, Chloe encounters Ethan, a devoted single father, and his book-loving, aspiring writer daughter, Alex. Their shared passion for literature sparks an immediate connection. Just when Chloe believes she’s on the brink of embracing her future, her publisher extends a dazzling opportunity for a high-profile New Year’s Eve appearance on a major network show. Now, she must decide whether to stand firm in her resolve to focus on her novel and personal life, or succumb to the allure of her demanding career.

A sequel to her earlier Black Rectangle, and reminiscent of Evelyn Lambart and Norman McLaren’s groundbreaking animations, Rhayne Vermette’s buzzing miniature A Black Screen Too is a burst of colour and movement undercut by darkness.